“The hills are alive with the sound of music.”

Do you know where that comes from? Yes, the Sound of Music, starring Julie Andrews and Christopher Plummer, released in 1965. It was my favorite movie for many years. In fact, it was the first movie I saw as a little boy in the theatre.

A historical piece, it is set in the tumultuous days preceding the Second World War, in Austria. Julie Andrews plays Maria who is governess to the children of Baron von Trapp. The story is based on the real-life adventures of the Von Trapp Family Singers, one of the world’s best-know concert groups in this era.

In a public-school musical version of the story, I played Rolf, the young Nazi sympathizer who was courting one of the Von Trapp girls. I have come to know the songs and recognize them to this day. I can still see Julie Andrews running in the grass on a mountain side near Salzburg, her skirt twirling in the wind, and her face turned up to the sky. And she is singing at the top of her voice:

“The hills are alive with the sound of music.”

When we think of mountains—like the Alps in Austria or the Rocky Mountains in Canada—we think of the most outspoken aspect of all the various geographic land features. These are the kings of topography. This past summer my family stood at the base of Mount Robson looking up at the highest of the Rockies in Canada. Way up. Almost four thousand metres high.

It’s no wonder we’ve come up with the saying: “Shout it from the rooftops” because the higher you go, the louder you can sing and bellow out what you have on your heart. And Julie Andrews does just that.

I think of Edna with her bright, ‘mountain top’ way of expressing herself. Whenever she was in the room and had something to say, she expressed it with verve and vigor.

She was an outspoken advocate for community issues. Neighbors rallied around her strong voice speaking for or against certain municipal projects and policies. Edna spoke and people listened whether or not you agreed with her. Among thousands and thousands of hockey fans in the Canadian Tire Centre I am certain you could hear her voice above all the rest cheering on her beloved Senators. Edna did not hold back in letting her voice be heard in public and on Lowell Green -type radio call-in shows.

In the narthex of the church following worship, she talked to everyone in a voice we will never forget. Even during the prayers of the people when there was opportunity for the assembly to offer the names of those held in prayer, she always, always spoke up.

The prophets and poets, like Isaiah and David the Psalm-writer, look to the mountains where people gathered and good things happened. Isaiah describes a joyous feast that the shroud of death cannot overcome. We can’t imagine a table of rich foods and wines without the banter, laughter and voices heard loudly and emphatically. And so, the Psalm-writer instructs the faithful to look up, from where our help comes.

Mountains reach to the heavens and announce like no other vision the glory of God and the majesty and splendor of all creation.

And yet, when my family and I climbed (not Mount Robson!) a couple mountains this summer, something unexpected struck me when we were walking amidst the clouds. The silence. It was almost unnervingly quiet. The higher you go, the quieter it becomes. Moments of profound stillness.

“The hills are alive with the sound of music.” They say the spaces between the notes in music are part of the music. The pauses. The breaks. The rests. When no sound is made. Those can be the most important moments in a musical piece. The hills are still alive, even in the sound of silence.

At times in our lives when there is no sound, this can unnerve us. When life seems to screech to a halt. When nothing seems to happen. When no one says anything. When we feel unproductive. These moments can leave us feeling at best uncomfortable, and at worst anxious and despairing.

There are times when silence gives us all the opportunity to receive, not just to give. In a posture of receiving, of accepting, sometimes words aren’t necessary at all. At the Communion rail, we receive the grace and love of God. When Edna came forward and knelt in silence, she often had tears in her eyes. The feast on earth was for her a foretaste of the feast of heaven.

In her last moments, she was still ‘speaking’ with her body, her eyes. What strength she still could muster, she reached out with her arm to Someone ‘up there’ who was waiting. And, then, at the right moment, God reached out to hold her hand and bring her into the bosom of God’s eternal love.

We discover God not just when we feel the full force of the wind on our faces or when the waves crash on the beach or even when the mountains sing out the glory of creation. But also, just as real, when there is a lull in the breeze, when the waves retreat, when there is a pause in the music of life, when it is time to receive the Presence that has always been there for us.

The hills, indeed, are alive with the sound of music.